Battle ship Yamato flies shipwrecked at the bottom of the sea, dreams of an empire faded. Geological time intersects with human history—bursting forth from the ground, it moves around, scatters, floats, shatters, finds rest. A whale passes overhead. Schools of people appear as ghosts and walk right through me.
This work takes the form of a video and sound walk through the Sham
Shui Po market area, in which its urban spaces have been digitally re-mapped to allow time to
move in multiple directions and flow along the deep waters beneath concrete pavements that
reveal unexpected histories of the area. Referencing both the concreted over stream that existed
until the 1960’s on Nam Cheong Street and the harbor shoreline whose waves lapped along Pei
Ho Street before land reclamation, the camera drifts through the streets, flickering between the
past and the present following the currents of long lost waterways. Taking the Situationist slogan
‘Sous les pavés, la plage! (Beneath the cobblestones, the beach!) and drawing further back to the
19th century figure of the flanneur who strolled the boulevards of Paris observing the poetics of
urban life, the camera becomes a virtual dandy whose aimless strolling is disturbed by
unraveling traces of the past.
2017, Deep Water 02:58, 3D anaglyphic digital print on fine art paper, 40' x 22'
Deep Water was re-shown at Art Central 2017, de-contextualised from the surroundings which the work was originally produced for, we were interested in focusing on the idea of this work as a speculative ‘time-machine’ by allowing the audience to experience various versions of the natural and political history of Sham Shui Po simultaneously through a 360 video Virtual Reality experience and a series of anaglyphic 3D prints which the audience can view through the provided 3D glasses.
2017, Deep Water 02:59, 3D anaglyphic digital print on fine art paper, 40' x 22'